Friday Art & History Feature - Amelia Edwards

Amelia Edwards 1890 in America (public domain)

This fascinating woman was born the same day as me and is truly inspirational to me.

Amelia Edwards was an English novelist, journalist, world traveler and Egyptologist.

Born on June 7th, 1831, to an Irish mother and a British solider father, she wrote her first poem at the tender age of 7, first story at 12. Over the years, she wrote many poems, stories and five full-length novels, the most famous been Barbara's History (1864).

Philæ from the South (1890) (from A Thousand Miles up the Nile) (Travelers in the Middle East Archive)

Using the proceeds from her writing, Amelia left London to travel. She traveled to Egypt int he winter of 1873 and became fascinated with the land, its culture and history. She spent some time there, and, on her return to England, wrote a beautiful description of her travels on the river Nile. The travel account was later published as A Thousand Miles up the Nile (1877). The travel memoir included Amelia's own drawings.

Great Rock-Cut Temple, Abou Simbel, Nubia (1890) (from A Thousand Miles up the Nile) (Travelers in the Middle East Archive)

 Amelia became a great advocate of research and preservation of ancient cultural monuments. "...Every day, more inscriptions are mutilated–more paintings and sculptures are defaced. ... When science leads the way, is it wonderful that ignorance should follow?" (A Thousand Miles Up the Nile, 1891 edition, pp. 353.) She was the co-founder of the Egypt Exploration Fund (first established in 1882), which survives to this day as the Egypt Exploration Society. The other co-founder was Reginald Stuart Pole. She also toured the United States and gave many lectures on the topic so close to her heart.

Amelia Ann Blanford Edwards by Percival Ball, marble, 1873 (National Portrait Gallery, London)

Amelia died in April of 1892 of influenza and was buried in St. Marie's Church in Bristol. She never married. Her entire collection of Egyptian antiquities was bequeathed to University College London, as well as money to found an Edwards Chair of Egyptology.

Amelia Edward's obelisk tombstone

Resources: http://en.wikipedia.org/wiki/Amelia_Edwards, http://digital.library.upenn.edu/women/edwards/edwards.html

Guest post - Should You Let Others Read Your Writing?

Today, my guest blogger is Norma Jean Lutz and she's talking about a topic that all writers encounter in their career, especially early on - should you let others read your writing? Is it helpful or hurtful?

Should You Let Others Read Your Writing?

It All Depends

Letting other people read your creative writing – good idea or bad idea?

That question constantly plagues beginning novelists. It is, in truth, a sticky wicket. There are no easy, pat answers. My reply – when asked this question – is to say, “It all depends...”

In my many years as an instructor for a writing correspondence school, as a speaker and instructor at various writers’ conferences, and when I had my own critique service as part of my writing business, this question often came up.

Newbie novelists are much like fragile little flowers that have popped their heads up with the warmth of spring. All it takes is one sharp dip in the temperature and that bud is a goner. And one cold remark from the wrong source can do the same thing to you and your writing aspirations.

What State is Your Story In?

So do you lay your musings out for all to see and read?

Here’s why I answer “It all depends…”

It all depends on what state your story is in. In the idea stage? Barely started? Half finished? Rough draft? Polished?

One rule that I’ve set for myself and have stuck with this since the outset of my career – I never discuss a novel while it’s in the idea stage. I have two reasons for this.

1.   It’s still too weak and fragile to put into the head or hands of someone else. Their input could derail the project. (Now I know you’re thinking that perhaps their input could be valuable. True. But I’m not willing to take that chance!)

2.   I don’t want to expend the creative energy by talking out my ideas. I would much rather expend that energy into writing out the idea.

Who is Doing the Reading?

It all depends on who is reading your work. Does this reader have any knowledge of fiction structure and novel-writing techniques? Or is it a close friend or relative who would never want to hurt your feelings? Ask yourself – what are you looking for, upward strokes or constructive criticism? Be honest!

Your Inner Resolve

It all depends on your own inner resolve. If you are still weak and shaky in your own writing confidence, I would be very cautious about letting just anyone read your work. It could derail you forever. If you have a measure of confidence under your belt and know you can’t be swayed, then it’s not quite such a colossal risk.

It all depends on whether you can trust this reader to be honest with you.

The Best Advice

The best advice is:

·         Enter a legitimate writing contest and let the judge give feedback

·         Find a trustworthy critique service and allow that professional to give feedback

·         Join a writers’ group or club and let these trusted folk give feedback

·         Send the work out and get the thoughts and reactions from a real live editor

True story: During the fourteen years that I served as coordinator for the annual Professionalism in Writing School, there would inevitably be one or two attendees who chased after guest editors with a large stationary box in their hands. (We all knew there was a manuscript in that box! Hello.) They wanted someone to “look over their work” and give feedback. Of course no one had that kind of time at a busy writers’ conference.

The saddest part of the story is that we would see those same people return the next year with the same box and the same manuscript. It was pretty clear, they were never going to send the work out - they were just looking for upward strokes!

Don’t let that be said of you! If your deepest desire is to be a novelist, your path will ascend above that kind of nonsense.

Stop Spinning Your Wheels

The key is to study your craft and then write, and write, and keep on writing. Don’t spin your wheels running around trying to find someone outside yourself to slap some kind of instant blessing on your work.

Examine your motives and then use great caution and wisdom when letting others read your novel-in-progress.

Thank you, Norma, for giving us your thoughts on this important topic. 

Do you have your work read by others? If so, who and at what stages of writing?

Norma Jean Lutz

Oklahoman Norma Jean Lutz, is an author, speaker, writing instructor, and novel critique consultant. Author of more than 50 published books, she’s been in the writing/publishing industry for more than 30 years. http://www.beanovelist.com/index.html

Free Workshop

When writing a novel, the start can be the scariest part! Yours free! Be A Novelist 15-page Writer’s Workshop entitled: Don’t Dilly Dally at the Starting Gate – How to Start Your Novel with a Bang. http://beanovelist.com/wkshgft.html

Be A Novelist, Six-Month, Finish-My-Novel Challenge! 

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